Chiara Dynys, born in Mantova, works in Milan. Ever since she started, in the early 1990s, her work has followed two main currents, both motivated by a single underlying outlook with regards to reality: to identify in the world as well as in every form, the presence and the meaning of an anomaly, of a variant, of a “threshold” which can allow the mind to travel from human reality to a quasi metaphysical scenario. In order to do this she uses seemingly eclectic materials, from light to glass, to mirrors, to ceramics, fusions, but also fabric, video and photography.
Chiara Dynys has had numerous solo as well as group exhibitions in many important museums and cultural spaces, both public and private, throughout Italy and worldwide.
Recent solo exhibitions include: 2008, ZKM – Museum für Neue Kunst, Karlsruhe, 2009; Galleria Marie-Laure Fleisch, Rome, 2010; Archivio Centrale di Stato, Rome, 2010; Centro Italiano Arte Contemporanea, Foligno, 2010; ZKM, Center for Art and Media, Karlsruhe, 2012; Milano, Galleria Fumagalli; Spazioborgogno, Switch on; 2013 Museo Poldi Pezzoli, Milan, 2013; Galerie Hollenbach, Stuttgart, 2014; Museo Bilotti, Aranciera di Villa Borghese, Rome, 2015; Milano, “Chiara Dynys. Poisoned flowers”, Galleria Luca Tommasi; M.AR.CA Museo delle arti di Catanzaro, Catanzaro, 2016; Milano, “Chiara Dynys. Please don’t cry”, Studio Copernico, Castelbeltrame, Gallery, Milan, 2017; 7th Biennale di Mosca, Arkhangelskoye museum, Moscow, ; Valli Art Gallery, Miami ; 2017 Presentazione Monografia in Triennale di Milano, Milan.